Glenn Randall Photography

Extraordinary landscape photography from Colorado and the West

Logo for Glenn Randall Photography

Sunrise from Kit Carson Peak



Crestone Peak from the summit of 14,165-foot Kit Carson Peak at sunrise, Sangre de Cristo Wilderness, Colorado

Sunrise from Kit Carson Peak, Sangre de Cristo Wilderness, Colorado

‚ÄčThe Sangre de Cristo range is unique in Colorado. The Colorado portion runs for about 120 miles north to south, but is only ten to 12 miles wide through much of its length. The broad, flat Wet and San Luis Valleys flank the range to the east and west. The Sangres, as they are affectionately known, are home to eight Fourteeners that rise more than 6,000 feet above the surrounding plains. This abrupt change in elevation means that everything about the Sangres is steep: roads, trails, and, most particularly, the routes. It also means that even more than most mountains, they can produce their own spectacular weather.


Waterfall above Willow Lake, Sangre de Cristo Wilderness, ColoradoClimbing some of the Sangres' Fourteeners, like Humboldt, Blanca, and Ellingwood, requires little more than strenuous talus-bashing. Others, like Crestone Needle, Crestone Peak, and Little Bear, are on everyone's list of the ten hardest Fourteeners in the state. I had already shot sunrise from Humboldt Peak twice. In June 2012 I set out to shoot sunrise from the summit of the remaining seven.


I decided to break the shoots into two week-long segments with a week of recovery in between. I launched the first segment with a three-day shoot on Kit Carson. The trip began with a four-hour hike to my basecamp at Willow Lake at 11,600 feet. I knew that there was no straightforward route beyond that. In fact, the easiest route goes over the summit of a 14,081-foot shoulder of Kit Carson called Challenger Point. It then descends to a notch on the west side of Kit Carson, traverses one third of the way around the mountain on a steep ledge called Kit Carson Avenue and finally leads up class 3 slabs on the southeast side of the peak to the summit. With all the extra elevation gain and loss, I knew I needed to allow plenty of time, and did so, or so I thought. The twin alarms Velcroed inside my fleece hat jarred me from my nap (you couldn't call it a night's sleep) at 11:30 p.m. I was on the trail 50 minutes later.


Although it had been a very dry winter and spring, extensive snow fields still covered the north face of Challenger Point. Repeatedly, I plunged knee-deep into rotten snow. The steep slabs in between the snowfields were wet with snowmelt, some of which had frozen into verglas during the night. By headlamp, it was hard to tell the difference between wet rock, which was slick but manageable, and treacherous pure ice. Finally I traversed into the snow-filled gully left of the standard line and discovered better-consolidated snow. I put on my crampons, got out my ice axe, and finally began to make efficient progress.


Cascade above Willow Lake, Sangre de Cristo Wilderness, ColoradoI reached the summit of Challenger Point at 4:15 a.m., about 15 minutes later than I planned but still an hour and 25 minutes before sunrise, then quickly descended to the notch at the beginning of Kit Carson Avenue. In my planning, I had assumed that the Avenue would be dry, since it had been an exceptionally lean winter and spring and the Avenue faces roughly south. If it was dry, I would still have enough time, barely, to reach the summit before sunrise. But it was not. Steep, hard snow covered the Avenue, and there was no way to traverse below it. A slip not checked immediately would have sent me hurtling over a cliff. I got out my crampons and ice axe again and realized I was in serious danger of not making the summit in time for sunrise for only the second time in my six-year Fourteener project.


There's no rushing on steep snow. I finished traversing the first band of snow, yanked off my crampons and hurried up to the notch between the Prow and the summit of Kit Carson. The Avenue continued beyond the notch, but the next part of the ledge faced due south, so I hoped it would be dry. I turned the corner and groaned. Another steep snowfield covered the Avenue. I lashed on the crampons again and methodically worked my way across the steep, hard snowfield. Finally I could begin scrambling up dry, easy slabs. I sprinted for the summit, still 450 feet above me. Already I could see pink sunrise light starting to caress the clouds. I summited at 5:37, four minutes before the almanac time of sunrise and frantically started setting up the camera without bothering to pull on any warm clothes. The sun rose into a gap between the horizon and a cloud bank and I snatched a few frames from imminent defeat. Then the light went dull and lifeless as the sun vanished behind the clouds. After an hour on the summit, I headed down. It took almost as long to descend as it did to climb the peak, and there was no time, food, or energy on this trip to try again. Fortunately, I discovered upon my return home that my very first shot had captured something of the feeling of sunrise on the summit of Kit Carson.

Loose print sizes
Matted-only sizes
Framed sizes
Gallery float sizes
Metal print sizes
Gallery-wrap canvas sizes

All major credit cards, plus PayPal, are accepted. You do not need a PayPal account to order online. All financial transactions are handled by PayPal's secure servers, not this website.

Glenn Randall Photography  |  2945 Colby Dr.  |  Boulder CO 80305-6303 | Office 303 499-3009  |  Mobile 720 320-7126

Contact me  |  Join my mailing list | Like me on Facebook  |  Privacy policy  | Search this website

Delivery times

Shipping information

Larger framed sizes


Secure ordering

Privacy policy

I offer over 100 images on this site, in four or five sizes each and as many as five different presentations (loose, matted-only, framed, gallery-wrap canvas, and gallery float). It is impossible to keep every size and presentation of every image in stock at all times. Accordingly, most of the items I offer for sale on are hand-built one at a time as customers order them. It normally requires between five and ten business days to complete an order, but it may take longer if I am on an extended shoot. Shipping time is in addition to these figures. To get specific information about delivery time for a particular item, please call 303 499-3009 or email me. I will do my best to accommodate rush orders. Thanks for your patience!

All photographic prints, regardless of presentation (loose, matted-only, framed, etc.) are delicate and require careful packaging to be shipped safely. Accordingly, all online purchases will have a 15 percent charge added for shipping and handling. This shipping charge only covers shipments to the continental United States. Please contact me for a quote on shipping to Alaska, Hawaii, or to international destinations. If you would like to pick up your print at my home office in Boulder rather than have it shipped, please call 303 499-3009 (office) or 720 320-7126 (mobile) to complete your purchase and make arrangements for pickup. Alternatively, I can deliver prints in the Denver metro area for $1.00 per mile based on round-trip mileage.

All matted-only and framed prints larger than 24x30 inches, all gallery-wrap canvases and gallery-float prints larger than 30x40, and all framed panoramas wider than 30 inches, are too big to be shipped via FedEx ground and too big to fit in any standard-size art box. While these prints can be shipped, they require a custom-made crate and the cost is exorbitant ($300+). I strongly suggest that all customers who live outside the Denver metro area and who wish to purchase a print larger than the maximums specified above buy the loose version and take it to the custom frame shop of their choosing. Loose prints can be shipped rolled at the standard shipping rate of 15 percent of the retail price. I will gladly provide detailed instructions to the framer on the moulding I use and my preferred method of mounting and framing the piece.

I use elegant hardwood frames on all of my framed prints. The image above right shows the frame I use for the smallest framed size of this image. I use proportionally larger frames with the same color finish for larger prints. The moulding shape will vary, depending on the size. For more information on the frames I recommend for different size prints, please visit my framing page.

Studio Moulding frame 353-125 cherry Studio Moulding Forte 4934 mahogany-finish picture frame Studio Moulding Forte 4834 mahogany-finish picture frame

I allow returns for a full refund (minus shipping) for 30 days from the date of delivery if you are dissatisfied with the print. You are responsible for the cost of shipping the print back to me, including the cost of insuring it for the full retail value, and the print must arrive in salable condition for a refund to be issued.

All online orders are processed by Paypal, but you do not need a PayPal account to order. All major credit cards are accepted. Order processing through PayPal is completely secure. Neither I, nor anyone who might be able to hack into my computer, will ever see your credit card information. You can order online with complete confidence.

Contact information provided by the customer, including email address, telephone number, address, etc., is used solely for the purpose of completing the order. This includes information pertaining to gift recipients. Financial information including credit card numbers, expiration dates, and billing address is used solely to bill customers for their order. I will not sell your email address or any other personal information  to anyone. This website uses Google Analytics, which provides me with information on how users interact with the site. Users remain anonymous. Google Analytics does not collect any information that I could use to identify a specific person. This site also uses the remarketing feature of Google Analytics. Visitors who view certain pages on this site may later be shown ads relevant to the content of those pages  when they visit other websites. To opt out of all tracking by Google Analytics of your visit to this site or any other site, please install the Google Analytics Opt-Out Browser Add-On. You can get more information on this software by visiting this secure Google site,