Bear Lake Four Seasons
For some years, I have been intrigued with the idea of photographing exactly the same scene in all four seasons. The problem was that few locations are actually of equal interest in every season of the year. Wildflower fields that are lush and vibrant in mid-July are mud flats in spring and brown and brittle in fall. Evergreen forests look much the same year-round unless decked with fresh snow. In mid-September, 2006, I photographed the golden aspen above Bear Lake, in Rocky Mountain National Park, and suddenly realized that the location for Bear Lake Sunrise, as I called the image, might be an ideal place to shoot in all four seasons. When spring arrived, I made an image that featured the contrast of fresh green aspen leaves and the still-snowy heights of 14,259-foot Longs Peak. In late summer, I visited Bear Lake twice more and was rewarded with a spectacular sunrise. I returned in April, 2009, when a powerful spring storm had dumped 44 inches of new snow on Bear Lake, spent 45 minutes snowshoeing a quarter of a mile to my shooting location, and made the final image in the series.
Bear Lake provides evidence of the massive glaciers that sculpted Rocky Mountain National Park in three major glacial periods over the last 700,000 years. The most recent of these glacial advances, the Pinedale Glaciation, named for the town in Wyoming where this advance was first studied, reached its maximum extent only 20,000 years ago ‒ in geological terms, barely a blink of the eye. As these glaciers flowed downhill, they pushed enormous quantities of rock and sand in front of them. When the climate warmed and the glaciers retreated, large chunks of ice occasionally became trapped in the glacial debris. When the ice melted, it formed what geologists call a kettle lake. Bear Lake is one such lake, as is Dream Lake just a mile away. Today only tiny glaciers still exist in Rocky Mountain National Park. Trails starting at Bear Lake lead to three of them: Tyndall Glacier, above Emerald Lake; Taylor Glacier, above Sky Pond; and Andrews Glacier, in a side valley above The Loch.
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Larger framed sizes
I offer over 100 images on this site, in four or five sizes each and as many as five different presentations (loose, matted-only, framed, gallery-wrap canvas, and gallery float). It is impossible to keep every size and presentation of every image in stock at all times. Accordingly, most of the items I offer for sale on GlennRandall.com are hand-built one at a time as customers order them. It normally requires between five and ten business days to complete an order, but it may take longer if I am on an extended shoot. Shipping time is in addition to these figures. To get specific information about delivery time for a particular item, please call 303 499-3009 or email me. I will do my best to accommodate rush orders. Thanks for your patience!
All photographic prints, regardless of presentation (loose, matted-only, framed, etc.) are delicate and require careful packaging to be shipped safely. Accordingly, all online purchases will have a 15 percent charge added for shipping and handling. This shipping charge only covers shipments to the continental United States. Please contact me for a quote on shipping to Alaska, Hawaii, or to international destinations. If you would like to pick up your print at my home office in Boulder rather than have it shipped, please call 303 499-3009 (office) or 720 320-7126 (mobile) to complete your purchase and make arrangements for pickup. Alternatively, I can deliver prints in the Denver metro area for $1.00 per mile based on round-trip mileage.
All matted-only and framed prints larger than 24x30 inches, all gallery-wrap canvases and gallery-float prints larger than 30x40, and all framed panoramas wider than 30 inches, are too big to be shipped via FedEx ground and too big to fit in any standard-size art box. While these prints can be shipped, they require a custom-made crate and the cost is exorbitant ($300+). I strongly suggest that all customers who live outside the Denver metro area and who wish to purchase a print larger than the maximums specified above buy the loose version and take it to the custom frame shop of their choosing. Loose prints can be shipped rolled at the standard shipping rate of 15 percent of the retail price. I will gladly provide detailed instructions to the framer on the moulding I use and my preferred method of mounting and framing the piece.
I use elegant hardwood frames on all of my framed prints. The image above right shows the frame I use for the smallest framed size of this image. I use proportionally larger frames with the same color finish for larger prints. The moulding shape will vary, depending on the size. For more information on the frames I recommend for different size prints, please visit my framing page.
I allow returns for a full refund (minus shipping) for 30 days from the date of delivery if you are dissatisfied with the print. You are responsible for the cost of shipping the print back to me, including the cost of insuring it for the full retail value, and the print must arrive in salable condition for a refund to be issued.
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